(Film screening suggestions for the week of Jan 27-Feb 2) Gummo. What can I say about Gummo? Not until it appeared on the Cinémathèque québécoise's calendar did I even revisit my memories of Harmony Korine's doc-style portrait of a sad little American town. Or should I say memory, because (apart from visions of bunny ears and taped breasts), my sole concrete memory of Gummo is pictured above. Beautiful in exposition, it is also revolting: the underfed homely kid, dirty bath water, stunning azure blue tiles, rotting wood, milk and plastic, and a perfectly fine plate of spaghetti. The film plays Saturday. (+)

Film screening suggestions for the week of January 20-26 | Unless you're a Satanist (and I'm not judging), you'll want to check out Ghost World this Saturday at the Cinémathèque québécoise. It's part of their doom generation program of films, painting a large black swatch of apathy on a generation raised by Columbine and matured by 9/11. Unsurprisingly, the following film on the program is Gus Van Sant's Elephant playing on the 25th. (+) For those unsuccessfully beaten down by his Metamorphosis and The Trial, Kafka, a 1991 film by Steven Soderbergh, paints a fictional account of his life based on the moods of his writings. This also plays Saturday. (+)

Welcome the new year by expanding your horizons with the cinema. In the coming week, you have the opportunity to view film as art, film as politics, film as history and film as divertissement. If you only like your film in one of these flavours, make it a resolution to try another one. Film can at turns entertain and challenge, be game changers or trash. Transformers was all these things.

Fresh off her recent stint with En Masse at Nuit Blanche 2011, Midnight Poutine Guest contributor Cheryl Voisine is back in town and out to cover what's good in the Montreal Art Scene. Last weekend, she set out to cover the first ever ANIMAZE festival, and this is how she felt about it.

The more I think about Animaze, the more I wonder why it took so long for someone to arrive at the concept. As children, we loved animation, thrived on it, learned valuable life lessons through it. But somehow along the path to adulthood most of us left it behind. The festival itself is designed to reignite our passion by unveiling the grittier, sexier, and more intricate side of modern adult animation. Animaze was a once in a lifetime opportunity to see animations that are hard to come by in North America, and may never be shown again in theatres.

Fresh off her recent stint with En Masse at Nuit Blanche 2011, Midnight Poutine Guest contributor Cheryl Voisine is back in town and out to cover what's good in the Montreal Art Scene. This week, she's out covering the first ever Animaze Animation Festival.

As an illustrator, the world of animation holds a warm spot in my heart. Considering the large amount of inspiration it has provided me over the years I was thrilled to hear about the Animaze Animation Festival taking place this coming weekend at Cinéma du Parc (Friday) as well as Concordia (Saturday & Sunday). This is a great opportunity for cartoon lovers to relive their childhood years and bridge the gap towards adult contemporary animation. Basically, if you're tired of Disney and Pixar and you want something more than your average cartoon, this is for you.

Much like its first week of film screenings, the second week of the Festival du Nouveau Cinema is rife with sold-out screenings; including Québec film, Nuit #1, Sarah Polley's Take This Waltz, and Iranian Une séparation. Once again, I've filtered through the programming to recommend available screenings from Wednesday through to Sunday, festival's end.