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On The Heels of M: Day Two Highlights

Posted by Katelyn / November 18, 2011

181111_AbsolutelyFree.jpgThe show got on the road right on time Thursday night, but we on the other hand arrived fashionably late. Unfortunately, our time miscalculation caused us to miss Daniel Isaiah. Grr!

While delegates walked across the street to Casa Del Popolo to see For A Minor Reflection, the remaining crowd at Sala Rossa waited in anticipation of Absolutely Free's inaugural performance. The band recycles four out of the five members of now-defunct Toronto experimental indie band DD/MM/YYYY. The group dissolved earlier this month after an eight-year-long run.

As to be expected due to the relatively unchanged lineup, Absolutely Free's material doesn't stray too far off the beaten DD/MM/YYYY track. Some cool atmospheric bits are characteristic of the new band's sound, as well as extended instrumental intros that suddenly crash into powerful, erratic verses.

After they finished, it was the regular-folks' turn to check out For A Minor Reflection. The Icelandic foursome played four intense Mogwai-esque instrumental rock songs before the party continued across the street with hip hop artist Cadence Weapon.

I must say, seeing a bunch of hipsters and dead-pan delegates at a rap show was quite entertaining. But the crowd couldn't deny the Edmonton native's charisma, and the performance made it obvious that Cadence Weapon has the ability to meld genres and think outside the box. The rapper's clean and refined rhymes were set to beats laid down by local experimental soundscape artist Flow Child.

After Toronto glam-pop trio Young Empires ended the showcase on a dance-y note, we headed to Le Belmont to check out Montreal hip hop collective Nation Ruckus. Rapper Mike-E Fresh was a sick performer, but his beats kept giving me deja vues.

We then swung around the corner to L'Esco to catch the much-talked-about punk/thrash group Trigger Effect. The venue was perfectly cramped and dingy, resulting in a sweaty mess of a set that ripped through the crowd like a spontaneous tornado. The mosh pit's tendency to migrate in and out of the band's setup went practically unnoticed by its members, who were just as consumed by their music as the crowd was.

Photo by Alana La Rossa Dancoste. Check out her photostream daily for more M for Montreal pictures.



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